Somewhere along the perimeter
of a continent, where
water caresses the land, two
worlds collide. The beach
extends beyond sight,
unbounded and free, showcasing
a familiar range of rocky
slopes, lush grasses, and sandy
dunes descending into an
unknown world. Waves
explode upon contact with the
sand, creeping up the
shore, swiping souvenirs from
the land. A rhythm
is set by the continuous tide
as it pounds the Earth,
erasing all evidence of life.
squawking of gulls resonate
in the air, though
nothing so prominent as the
steady pulse of the sea
from the inside of a shell. A
breathtaking landscape
of soft sea foam lingering
along the edges of the open
ocean, a world where God’s
creatures swim free, where
dorsal fins peek through the
surface of the water and
then vanish, where white
sails dance across a giant
blue canvas.
Reality builds momentum over
time, only to come
toppling down, like the sea
upon the shore, sometimes
in a series of gentle
ripples, sometimes in a single blow,
a devastating tsunami. A sea
of love holds fragile dreams
that break with every
crashing wave, leaving shards of
glass within the soft
sediment as remains. In time, the
pain recedes, recycled in an
endless current of emotion.
The sandy coastline stretches
onward eternally,
undisturbed but for an
occasional shell, piece of
driftwood, dismembered bit of
seaweed. The sky is
coated with patchy clouds, a
monotonous haze,
purple and gray, heavy with
moisture, teasing the
Earth with small increments,
thin streams of sunlight,
disappearing as quickly as
they came.
The tears of humanity
accumulate into an ocean of
bitter saltwater, and the
heart pulses on in rhythm with
the tide. There is comfort to
be found in the warm
grains of sand beneath anxious
toes, and the salty air,
nature’s morphine, absorbs
the unbearable pains of
life. The world continues
turning slowly and as
the tide rolls in, icy water enveloping
its prey with a
startling chill, humanity
must move on else be
consumed by the sea, forever underwater.
Crystal Richardson (2010)
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